Information on how solfege is done in different countries would be valuable.- 24.199.120.71 23:50, 26 January 2007 (UTC) Reply Do Hungarians use movable do or fixed do? Would you mind translating the Hungarian page on solfege and posting it somewhere? Perhaps at Users:Gheuf/sandbox/hungarian solfege or something like that? I'm trying to revamp the article to make it as inclusive as possible. 'In most countries of Continental Europe and East Asia, si is the seventh major, instead of ti'. Or if we know more about exactly how many countries are using ti and si maybe

'In many countries of Continental Europe and East Asia, si is the seventh major, instead of ti' (And I think Hungary is definitely part of Central Europe.) So the statement above is not true in this form. I don't know about other European countries but here in Hungary we call the seventh major ti.

'In Continental Europe and East Asia, si is the seventh major, instead of ti' TooManyFingers ( talk) 23:18, 8 November 2021 (UTC) Reply (Chromatic notes didn't exist, chords didn't exist.) It is possible to extend the system by various methods, and if you like those you should use them, but none of them are part of the original. GDPmumin This system was created at a time when such questions didn't even exist. I'm sure there are exceptions here, but this will be generally true. If you find one, I would assume you're either in the middle of a modulation, in which case solfege is generally tossed, or in a less tonal piece, in which case, again, solfege is tossed.

Because there is only one half step between 'mi' and 'fa,' there is no theoretical need for a raised 3 (likewise a lowered 4 or a lowered 1). For example, between 'si' and 'la' there is only one half step.

It has to do with the number of half steps between the scale degrees. What are the syllables for augmented 3, diminished 4, dminished 1, and augmented 7? I guess you could use 'De' and 'Fe' for dim 1 and dim 4, respectively, but I've never heard of those.

G flat major scale in solfege